Though red, it was an ordinary rose,
meaning it did not come in love
or deep appreciation, but was
offered to me, and one like it
to my daughter, by a waiter
on Mother’s Day. Without vase,
the rose found water in a tall
glass on my kitchen counter.
Perfection is not a word
I use lightly, but this rose
was extraordinary, even in bud:
petals in more layers
than I’ve seen in any rose.
It didn’t open but widened,
growing large and complex,
lush like crimson velvet.
How would it age, I wondered,
Would it come apart in bits?
After a week, the petals
began to darken and curl,
its head began to droop;
but after ten days, it was
still lovely, color deeper,
its nested petals intact.
I can’t imagine a place
where perfect roses grow:
a many-paned glass house
or plantations of bushes?
Genes surely modified
to make superior flowers
for high-end restaurants to
give as pawns of commerce.
Yet the perfect rose that came
to my kitchen was a source
of awe, a daily surprise:
it became exquisite,
then slowly waned.
I could not help but
see it as a metaphor,
a way of growing old.
Janet M. Powers
Janet M. Powers, Professor Emerita, Gettysburg College, taught South Asian literature and civilization, women’s studies, and peace studies for 49 years. She has been published in many small journals, including Chaleur, Earth’s Daughters, The Poeming Pigeon and The Gyroscope Review. Her chapbook, Difficult to Subdue as the Wind, appeared in 2009. This old lady still writes poetry despite, or because of, our sorry world.