Non-fiction

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by Mikaela Osler Something was wrong with Christine Blasey Ford’s voice. Maybe she sounded too young. She should’ve been in her early fifties; she’d been in high school in 1982. I did the math as she requested “some caffeine.” Maybe it was the inflection, the valley-girl lilt. Maybe it was the inappropriately complex words, multisyllabic …

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Pushing Boundaries: Radical Style and Nontraditional Form in Hannah Pittard’s We Are Too Many

by E.G. Shields How much time do I spend going over conversations in my head, replaying exchanges until I can make sense of them? What fragments, gathered while riding the downtown train or passing a couple on the sidewalk, stick with me and form themselves into the beginnings of a narrative? How often do I …

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