Your house is on fire
and your children all gone
—Mother Goose
We were alone
the first time
the house caught fire.
I round the corner
to flames rolling up the cabinets,
across the ceiling—the kitchen
a sheet of shimmering heat.
Linda whisks by,
scattering chairs, emerges with the birdcage.
Sisters pour from every room
in the house, the driveway a spectacle:
hoses, neighbours, fire trucks.
Our parents pull in,
trunk full of food,
to a gaping roof and
wallpaper sloughing away
from the sheetrock.
Maybe this is why I hear clanging
instead of rhyme,
why I worry for children gone.
Fear scuttles the thrill of the bright beetle,
its sturdy scurry across my nail,
its tenacious cling
to a blade of grass,
the crack of its carapace,
the cinnamon flash of its secret wings,
the disappearing act—
fly away, fly away home.
Even now,
my sisters gone,
my children grown,
peril stings the corners of my eyes.
I switch off the lights, twist the lock,
mince over the slippery drive.
The car startles at my key fob’s beep—
motion ripples behind the glass.
Ladybirds cover every inch of the car: the dash,
the windshield, the wheel. They ripple,
a coat of red, across the leather seat. I hear
the creaking of their little knees,
the mechanics of their shells,
the rapid beats of their wings.
I press my hand against the seat,
one crawls up my finger,
then another.
With both hands, I scoop a worldful,
step back,
toss them into the sky—
they flicker around me like fire.
Melody Wilson
Melody Wilson’s work appears in Nimrod, Sugar House Review, VerseDaily and The Fiddlehead. She received 2022 Pushcart nominations from Redactions, and Red Rock Review, and was finalist for the Naugatuck Narrative Poetry Contest and semi-finalist for the 2022 Pablo Neruda Awards. She is pursuing her MFA at Pacific University. Find her work at melodywilson.com.